Steven Spielberg produjo una serie de dinosaurios para Netflix

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Steven Spielberg revolucionó la forma en que vemos a los dinosaurios con su película Parque Jurásico, y su éxito continuo durante las últimas tres décadas ha consolidado ese impacto. Ahora ha creado su primera serie de televisión centrada en los dinosaurios, no en las criaturas recreadas de las películas, sino en los animales reales que vivieron hace millones de años.

Debido a que los dinosaurios reales ya no existen, el nuevo espectáculo se basa en efectos visuales creados por Industrial Light and Magic, la misma compañía que dio vida a los dinosaurios en el Parque Jurásico original. Llamado Los dinosaurios, el programa proviene del equipo detrás de La vida en nuestro planeta de Amblin y está narrado por Morgan Freeman.

¡Mira el nuevo tráiler! Si miras de cerca, es posible que notes algunos guiños al Parque Jurásico y a El Mundo Perdido originales.

¡Es sorprendente lo lejos que ha llegado la tecnología! Hace poco más de treinta años, los dinosaurios generados por computadora no eran posibles. Ahora podemos crear dinosaurios increíblemente realistas con tecnología que es tan convincente que puede usarse para hacer documentales que parecen películas de naturaleza real.

También hay un nuevo póster para la serie.

Aquí está la sinopsis oficial de la serie:

Únete a nosotros en Los Dinosaurios, una espectacular serie documental que te lleva a la era de estas increíbles criaturas. Creada por el equipo detrás de la aclamada serie Life on Our Planet y producida por Amblin Documentaries de Steven Spielberg, esta serie narra la historia de los dinosaurios a lo largo de cientos de millones de años. La serie está narrada por el ganador del Premio de la Academia Morgan Freeman.

El nuevo programa de Netflix, Los dinosaurios, comenzará a transmitirse el 6 de marzo. Se compone de episodios de cuatro horas de duración.

Las 10 peores películas de Netflix de los últimos 10 años (2016-2025)

10. Corazón de piedra (2023)

La película Heart of Stone comienza con una idea prometedora: un experto en informática aparentemente inexperto que forma parte de un equipo de espías es en secreto un agente altamente cualificado, como James Bond. Para que esto realmente funcione, necesitas un actor que pueda interpretar a un personaje tímido y sin pretensiones y luego transformarse de manera convincente en un héroe de acción, similar a cómo se usó Bob Odenkirk en Nobody. Desafortunadamente, los realizadores eligieron a Gal Gadot, conocida por sus papeles fuertes y heroicos. Aproximadamente 40 minutos después de iniciada la película, esta idea central e inteligente se abandona y Heart of Stone se convierte en una película de acción estándar sobre inteligencia artificial. Cubre un terreno similar a Misión: Imposible – Dead Reckoning, pero carece de la energía de Tom Cruise y no ofrece ninguna idea interesante sobre el uso de efectos digitales frente a efectos prácticos. La IA central de la película, “El Corazón”, se presenta simplemente como una fuerza para el bien, y las secuencias de acción son en su mayoría CGI sin inspiración.

9. Ascensor (2024)

En este punto, a la gente le gusta hacer bromas fáciles sobre lo malas que se sienten las películas de Netflix, como si hubieran sido expulsadas de algún puerto de datos por una IA que funciona mal, pero la imitación Ocean’s 11 Lift de Kevin Hart realmente parecía ensamblada a partir de una lista de verificación de cosas que todos los éxitos de taquilla de Netflix deben poseer, incluyendo…
  • Un título genérico de no más de tres palabras.
  • Fotografía digital insulsa sin estilo ni garbo.
  • Estrellas de renombre que no son demasiado grandes para aceptar un salario alto y con poco esfuerzo.
  • Una trama que involucra un grupo de ubicaciones internacionales en países donde Netflix vende suscripciones.
  • Al menos una secuencia en la que claramente nunca fueron a dicha ubicación internacional y filmaron todo en una pantalla verde obvia en su lugar.

8. Trigger Warning (2024)

The movie Trigger Warning features Jessica Alba as a skilled CIA agent who uncovers a conspiracy involving a mine and a crooked senator when she goes back to her hometown. It’s one of those low-budget thrillers that seems to end up on Netflix because people who watched something similar might stumble upon it. However, even if you liked Rebel Ridge, this isn’t a movie you’ll want to watch.

7. Red Notice (2021)

At the time of its release, Red Notice was Netflix’s most expensive movie, starring Dwayne Johnson, Ryan Reynolds, and Gal Gadot in a hunt for a mysterious artifact. Despite the stars’ charisma, the script failed to give them any memorable lines or interesting character moments. One scene, set during a bullfight, is particularly jarring – it’s visually unappealing and clearly fake. It doesn’t even appear that Reynolds and Johnson were filmed together in the same location, and it certainly wasn’t shot in a real bullfighting arena with a live bull.

6. Your Place or Mine (2023)

This movie feels like the idea stopped as soon as Reese Witherspoon and Ashton Kutcher agreed to star. Witherspoon plays a character who travels across the country for a one-week accounting class – which seems strange considering options like local classes or online learning aren’t explored. When her babysitter cancels, her unlikely best friend (Kutcher) flies out to watch her son, despite the presence of another friend with kids (Tig Notaro) who could have easily helped.

The movie is filled with these little, but noticeable, oddities. However, even that wouldn’t matter if the movie was funny or if Witherspoon and Kutcher had good chemistry. Unfortunately, their scenes feel flat and uninspired, and it’s not even clear if a romantic connection between their characters would be satisfying – they just don’t seem like a good fit!

5. The Electric State (2025)

There was a lot of talk about the $320 million Netflix spent on this science fiction film directed by the Russo brothers – and it probably wasn’t worth it. Even if it had cost half that amount, it would still feel like a waste of money. The Electric State simply doesn’t look good; the characters and visuals are bland and uninspired. The film follows a young woman (Millie Bobby Brown) traveling through a world filled with robots to find her brother, aided by Chris Pratt, who seems to be playing the same character he always does and sports a strange haircut. The story itself, based on a book I haven’t read, doesn’t make much sense, but the film could have been enjoyable despite that. Unfortunately, it isn’t even visually appealing.

4.Rebel Moon — Part Two: The Scargiver

The first part of Zack Snyder’s sci-fi film, released at the end of 2023, was enjoyable because it focused on assembling a team and exploring strange worlds with unique creatures and technology. However, the second part, Rebel Moon – Part Two: The Scargiver, is essentially one long, drawn-out battle. Snyder’s overuse of slow motion makes it feel even slower and more repetitive—I actually had to try watching it three times because it kept putting me to sleep. While the film delivers on its promise of intense action and scarring battles, I suspect the extended, R-rated version, Rebel Moon – Chapter Two: Curse of Forgiveness, is a significant improvement. Though, I’m not in any hurry to confirm that.

3. Texas Chainsaw Massacre (2022)

I don’t have a background in real estate, city planning, or politics, but I’m skeptical about a plan to sell an abandoned, isolated town to wealthy young people who want to turn it into a trendy spot with a comic book store and a brunch cafe. Who would actually visit such a place? And, just to add to the concerns, the town’s only current resident is reportedly Leatherface! Does he even like brunch? It’s a setup straight out of a bad Netflix horror movie, like the latest Texas Chainsaw Massacre.

Also, it’s a common horror trope that killers can move silently, but wouldn’t operating a chainsaw be pretty noisy? You’d think it would be hard to sneak up on anyone with all that buzzing!

2. Diana: The Musical

When the planned Broadway debut of this musical about Princess Diana was canceled due to Covid, the creators filmed it without an audience to preserve it. Though Diana eventually opened on Broadway in the winter of 2021, the recording first appeared on Netflix, seemingly as a promotional tool.

Instead, it quickly became a source of fascination for those who enjoy unintentionally funny or over-the-top entertainment. Some parts of Diana: The Musical are even more bizarre than the notoriously strange Cats movie – at least Cats didn’t rhyme “thrilla” and “Manila” with “Diana” and “Camilla.” Instead of treating the tragic story of Princess Diana with seriousness, the musical adopts a surprisingly cheerful tone. It’s hard to believe so many people approved of a song where Prince Charles sings, “Darling, I’m holding my son, so let me say ‘Jolly well done!'” Diana closed on Broadway after only 33 performances, but Diana: The Musical will remain available on Netflix indefinitely.

1. Marmaduke (2022)

I’ve rarely seen an animated movie as visually unappealing as Marmaduke, and I hope I never do. It feels like something made purely to fulfill a contractual obligation or perhaps even to hide money. Despite the awful animation, the movie boasts a surprisingly talented voice cast, including J.K. Simmons, David Koechner, and Pete Davidson. It’s baffling how they ended up involved – did they not see the script or the characters? Marmaduke is simply terrible. I wouldn’t even recommend it to those who used to make fun of me – and honestly, their teasing was more imaginative than this movie.

2026-02-05 19:57