Inicialmente, las películas no fueron creadas con el público de hoy en mente; En cambio, sirvieron como diversión asequible y de corta duración. Una película típica proyectaría en un teatro durante unos días o semanas antes de dar paso a otra después de un tiempo. Antes de la existencia de teatros de repertorio, una vez que ya no se circulaba una película, efectivamente desapareció para siempre.
Posteriormente, la televisión estableció otra plataforma para producciones más antiguas, ya que los emisores compraron fragmentos de archivos de películas para complementar su contenido original. Después de este desarrollo llegaron formatos de video caseros como VHS, DVD, Blu-ray, transmisión y más recientemente, servicios de transmisión en línea. Esta evolución ha asegurado que la mayoría de las películas sigan siendo visibles y grabadas en nuestra memoria cultural.
Con el tiempo, esta situación puede conducir a una división: el contraste entre una recepción de película inicial y cómo se desarrolla su posición más adelante. Algunas películas ganan más respeto a lo largo de los años; Por ejemplo, la cosa The Thing de John Carpenter, inicialmente recibió malas críticas de críticos y audiencias cuando se estrenó en los cines durante el verano de 1982. Hoy en día, a menudo es aclamado como una de las principales películas de terror de su década, si no toda la historia del cine.
Algunas películas una vez elogiadas e incluso otorgadas con Oscar pueden parecer menos impresionantes hoy en comparación con los estándares modernos. Por ejemplo, sitios web como Rotten Tomatoes pueden ayudarnos a revisar tales películas y ver cómo fueron evaluados por los críticos en su tiempo. A continuación se muestra una lista de 12 películas de la década de 1980 que recibieron críticas positivas (nuevas calificaciones) de Rotten Tomatoes, pero puede no ser tan considerado ahora.
La idea principal sigue siendo la misma: destacar a un grupo de películas de la década de 1980 que fueron bien recibidas en ese momento, pero que pueden haber perdido parte de su brillo a lo largo de los años y usar tomates Rotten para proporcionar contexto en sus críticas originales. La versión parafraseada tiene como objetivo ser más conversacional y más fácil de leer mientras mantiene el significado original.
Si todavía los disfrutas, ¡eso es fantástico! En treinta años, es posible que se encuentre escribiendo una pieza que exprese sus puntos de vista sobre cómo las evaluaciones cinematográficas de ScreenCrush del pasado no estaban en punto.
Películas de los años 80 que tienen buenas críticas que en realidad son malas
Fuera de África (1985)
Como seguidor, reformularía el texto como:
“Me refiero al ganador de la Mejor Película del Premio de la Academia de 1985, que no es otro que ‘Fuera de África’. Dado su título, la película se centra en dos personajes retratados por Meryl Streep y Robert Redford. Streep interpreta a Karen Blixen, una mujer que deja su hogar en Dinamarca para Nairobi para comenzar una granja, y luego ingresa a un afecto con un gran cazador de juegos (Redford).
Visualmente, la película es impresionante, pero se queda corto dramáticamente, lo que la hace bastante olvidable. Inicialmente, se recibió más favorablemente de manera crítica, pero con el tiempo, el consenso crítico ha tomado una desaceleración por “Fuera de África”. Las revisiones retrospectivas sobre Rotten Tomatoes son mucho menos positivas, lo que lleva su puntaje a un modesto 62 “.
The Big Chill (1983)
El objetivo principal aquí era hacer que el texto sea más legible mientras preservaba el significado original. La estructura de la oración se ha ajustado para un mejor flujo, y algunas frases se han simplificado o reformado para mayor claridad.
Solo para tus ojos (1981)
Clasificación de título: 69
Esta película a menudo se considera la entrega “seria” de James Bond de Roger Moore debido a sus escenas de acción como una persecución de esquí con una motocicleta en una pista de mochilas y una conversación entre Margaret Thatcher y un loro. Sin embargo, sería más preciso etiquetarlo como superficial. En comparación con las intensas actuaciones de Sean Connery o Daniel Craig, o la diversión exagerada de las otras películas de Moore, “para tus ojos solo” se queda corto. El villano, los gadgets, los compañeros, las principales damas y la trama no son notables. (Aparentemente, implica un lanzador de misiles robado, pero ¿a quién le importa realmente? Debo estar respetuosamente en desacuerdo.
Revenge of the Nerds (1984)
Revisando la controvertida comedia: un análisis crítico
La comedia duradera, a pesar de sus afirmaciones de apoyar a los extraños maltratados, sorprendentemente muestra una licencia mala subyacente. Esto se ejemplifica mediante el uso del humor homofóbico y racista, así como una subtrama que se centra en las represalias de una fraternidad nerd contra una hermandad por su crueldad percibida. Esto se intensifica para incluir cámaras ocultas utilizadas para espiar, culminando en el líder de los nerds engañando a una niña popular al fingir ser su novio y participar en relaciones sexuales bajo falsas pretensiones, un escenario que resulta en su enamoramiento inmediata, a pesar del engaño.
A mediados de la década de 2000, se intentó rehacer esta película; Sin embargo, el proyecto finalmente colapsó al borde de la producción. Esto probablemente ocurrió debido al hecho de que la relevancia de esta película en el siglo XXI se encuentra principalmente en un formato de reinicio arenoso, uno que critica la noción de que los nerds merecen mujeres, fama y éxito simplemente porque enfrentaron la adversidad de los deportistas.
Tron (1982)
The Goonies (1985)
Puntuación de título: 77
La película “The Goonies” todavía ocupa un lugar especial en muchos corazones de los años 80, posiblemente porque ha pasado un tiempo desde que algunos espectadores lo vieron por última vez. Es cierto que el elenco joven incluía varias estrellas futuras, y el diseño del set se ve bastante de moda. Sin embargo, entre todos los universos imaginativos que Steven Spielberg ayudó a crear durante la década de 1980, este no me parece tan atemporal. O tal vez me he vuelto un poco gruñón, ahora encontrándome más relacionado con los adultos severos en “The Goonies” que los niños enérgicos. (Recuerda, niños: ¡ten cuidado! ¡Podrías atrapar tétanos de ese viejo metal oxidado!) Al menos la canción de Cyndi Lauper sigue siendo agradable.
Licencia para matar (1989)
Revisión de la segunda película de Timothy Dalton
En un giro inusual para una película de James Bond, la segunda salida de Timothy Dalton cuando el icónico espía lo vio operando más como agente independiente que como secreto. Después de que su personaje renunció al MI6, se embarcó en una misión personal de venganza contra un poderoso narcotraficante latinoamericano que había desfigurado a su colega Felix Leiter (interpretado por David Hedison).
La trama se inspira más en la película de Akira Kurosawa Yojimbo que cualquiera de las novelas de Ian Fleming. En esta historia, Bond logra infiltrarse en la organización del narcotraficante, desmantelándola gradualmente desde adentro. Sin embargo, carece del encanto travieso y malévolo que es característico de Kurosawa o películas típicas de Bond.
La escena de acción climática se destaca como lo más destacado de la película, mientras que el resto de la película consiste en varios personajes que luchan por la cocaína escondida dentro de los petroleros de gasolina. A pesar de esto, ha logrado obtener mejores críticas que algunas películas de Bond posteriores con Pierce Brosnan y Daniel Craig.
Dieciséis velas (1984)
En esta versión reformulada, he intentado hacer que el texto sea más conversacional y más fácil de leer:
Altered States (1980)
This version maintains the original’s tone while making the text more accessible to a wider audience by using simpler language and rephrasing certain sentences for clarity.
Driving Miss Daisy (1989)
Rotten Tomatoes Score: 85 – A Critical Analysis of Driving Miss Daisy
The film, Driving Miss Daisy, earned an impressive 85 score on Rotten Tomatoes, but it’s important to note that this Oscar Best Picture winner has been criticized as one of the most puzzling. While its subject matter – aging and the long-standing relationship between an employee and employer – is seldom explored in Hollywood films, it may have been novelty enough to impress the Academy voters in 1990. However, Driving Miss Daisy ultimately falls short as a mere character study and doesn’t delve deeply into its characters or setting.
The passage of 25 years is evident throughout the film, yet it fails to portray the gradual evolution of its characters or environment effectively. In one scene, Dan Aykroyd appears much the same as he did in 1989, while in another, he sports a large gray wig.
Comparatively speaking, Driving Miss Daisy pales in comparison to other films that were nominated for Best Picture in 1989, such as Do the Right Thing, which was not even nominated. Even among its fellow nominees – Born on the Fourth of July, Dead Poets Society, Field of Dreams, and My Left Foot – Driving Miss Daisy falls short. Any of these films would undoubtedly be considered a better choice today.
Superman II (1980)
As a devoted fan, I can’t help but admit that the enchanting performance of Terence Stamp as General Zod and the iconic phrase “Kneel before Zod!” have me rooting for this film. However, it’s fair to say that some aspects of the movie are disorganized at best. The spark that Christopher Reeve and Margot Kidder brought to their screwball-comedy dynamic in the original Superman seems to be missing here.
In this iteration, Superman appears so fixated on showing Lois his Fortress of Solitude that he overlooks three Kryptonian superbeings taking over Earth! With his super-hearing being one of his key abilities, it’s puzzling why he seems oblivious to the invasion. Granted, this version of Superman has magic amnesia kisses, teleportation, and projectile chest emblems, but the absence of super-hearing feels oddly out of place.
It’s important to note that there are two versions of the movie, neither of which stands out as particularly impressive.
Crocodile Dundee (1986)
Rotten Tomatoes Score: 89
The blockbuster film of 1986 was Top Gun. Interestingly, the second-highest grossing movie of that year, which earned only $2 million less at the box office and outperformed numerous ’80s classics like Aliens, Star Trek IV: The Voyage Home, Stand By Me, Rocky IV, and The Fly, was Crocodile Dundee. This film revolves around Paul Hogan as a unique character – a crocodile hunter from Australia who finds himself in New York City.
The movie’s main humor comes from this fish-out-of-water scenario, and despite its simplicity, audiences couldn’t get enough of it. The film became a massive success, catapulted Paul Hogan to international stardom, and led to the creation of an entire franchise. However, I can’t explain why it resonated so strongly with people.
The Best Superhero Movie Of Every Year From 2000 to Today
2000: X-Men
Indeed, the initial black leather costumes for the X-Men characters seem quite outdated. And while Hugh Jackman’s physique in later X-Men sequels was considerably more impressive, his portrayal of Logan in this film appears rather slender compared to his later roles. Nevertheless, the first X-Men movie played a significant role in igniting the superhero film craze of the 2000s. It successfully captured the essence of the characters, distilling them on screen with a keen editor’s eye, removing unnecessary elements and focusing on the core traits that would strike a chord with a wide audience. Interestingly, Hugh Jackman, who went on to achieve international stardom as Wolverine, nearly missed his big break. He was the filmmakers’ second choice, landing the role only after the original Wolverine, Dougray Scott, had to withdraw due to delays in the filming of Mission: Impossible II.
2001: Spy Kids
By the start of the 21st century, large-scale superhero adaptations became commonplace, happening almost every year or even month. The impact of comics, evident in their visual style and character archetypes, could be seen everywhere, extending to films like Robert Rodriguez’s “Spy Kids.” This movie, as its name implies, is an espionage adventure for children. However, it doesn’t feature much spycraft, instead offering a lot of fighting that resembles superheroes and sci-fi technology – a blend reminiscent of James Bond and Batman with a dash of “Home Alone” thrown in for good measure. This is certainly an unusual mix, but it proved successful, as Rodriguez has produced multiple sequels, reboots, and TV series based on the “Spy Kids” franchise.
2002: Spider-Man
In today’s era where numerous Spider-Man films seem to be released annually, it’s effortless to overlook the remarkable impact of Sam Raimi’s initial Spider-Man movie from 2002. This film was truly pioneering for its time, masterfully executing every aspect – the costume design, action sequences, special effects, emotional portrayal of Uncle Ben’s death, and the intricate dynamics between Peter Parker and Norman and Harry Osborn. It revolutionized the perception of superhero movies among mainstream audiences, paving the way for the current landscape of interconnected cinematic universes in Hollywood. Moreover, many subsequent superhero films have mimicked its iconic final scene featuring Spider-Man swinging through New York City over an extended take.
2003: X2
X2 might be the most pivotal superhero film of the 21st century, standing out as a game-changer in the genre. The initial X-Men and Spider-Man films demonstrated that movies could capture the charm of comics. However, X2 raised the bar, with sequences like Nightcrawler’s White House siege showcasing how film could not only emulate but surpass comic book representations. This scene, where Nightcrawler teleports dramatically through the White House, was cooler in motion than it ever could be as a series of static panels on a page. The bursting dam in the climax symbolizes the start of the Hollywood Superhero Rush, with everything changing after X2.
2004: Spider-Man 2
In Spider-Man 2, Sam Raimi skillfully expanded the storyline beyond compressing an origin and a standalone tale into one movie. Instead, he crafted a deeply layered narrative focusing on Peter Parker’s complex relationship with the ambitious scientist, Dr. Otto Octavius, portrayed brilliantly by Alfred Molina in what is arguably the best performance across the Spider-Man series. Even today, over 15 years later, the film continues to impress (the train sequence remains a standout Marvel moment), and its relentless pile-up of troubles for poor Peter Parker adds poignancy to the ultimately joyful (yet also bittersweet) ending.
Sam Raimi made Spider-Man 2 more than just an origin or standalone movie. He focused on Peter’s relationship with a brilliant but ambition-driven scientist, Dr. Otto Octavius. The film looks great even today and the way it keeps adding troubles to Peter makes the happy (but also bittersweet) ending more rewarding.
2005: Batman Begins
The movie “Batman Begins” was a delightful shift in direction. It discarded the excess physical and emotional baggage that had been burdening the franchise, allowing the character to reconnect with his simple roots. Instead of the previous Bruce Wayne, we saw Christian Bale step into the role, and the villain, portrayed by Liam Neeson, was remarkably intricate. Even if Christopher Nolan hadn’t made any subsequent films, he would still be recognized for crafting one of the finest Batman movies to date.
2006: X-Men: The Last Stand
The film “X-Men: The Last Stand” surpasses its popular image somewhat, albeit slightly. It boasts enjoyable moments scattered throughout; Ian McKellen delivers an impressive performance as Magneto, the Danger Room scene was worth the anticipation, and Kelsey Grammer’s Beast embodies a character that leaps off the pages of a Marvel comic. This is evident in his subsequent appearance in the MCU. However, the Dark Phoenix storyline leaves much to be desired – it’s quite problematic. Ultimately, it’s a blend of good and bad elements, but remains the top pick for a relatively weak year of superhero movies in 2006.
2007: Spider-Man 3
The final film in Sam Raimi’s Spider-Man series has often been criticized unfairly, even by Raimi himself who once stated that it didn’t work well. While there are elements that could have been better, the movie still offers some standout action sequences from the Maguire trilogy, such as the thrilling mid-air rescue of Gwen Stacy from a construction accident. However, many viewers find the portrayal of Venom to be problematic, particularly Raimi’s treatment of the black suit as a comedic device, including an infamous scene where a “corrupted” Peter under the influence of his alien costume dances through New York City streets.
These moments may seem outdated given the shift towards darker and grittier superhero movies in the late 2000s. Yet, when you consider Spider-Man 3 as Raimi intentionally satirizing the concept of a “dark” comic book film, the movie becomes more enjoyable to watch. (Go ahead and acknowledge that Emo Tobey and his questionable dancing have grown on you.)
2008: The Dark Knight
Christopher Nolan’s “The Dark Knight” continues to be the benchmark that most Batman films, and arguably all superhero movies, are measured against. It provided an impressive spectacle, especially in IMAX, a filming style it pioneered for mainstream cinema. The movie also presented intricate moral and philosophical dilemmas for contemplation. Some of its quotes have become common sayings, including one (“You either die a hero or live long enough to see yourself become the villain”) that is so memorable and frequently quoted, it’s surprising it originated from a 2008 Batman movie. Heath Ledger’s portrayal of the Joker, Hans Zimmer and James Newton Howard’s iconic score, and the sleek elegance of the Bat-pod are just a few highlights among many in this cinematic masterpiece. Even over a decade later, “The Dark Knight” still stands unmatched.
2009: Watchmen
Zack Snyder’s reimagining of Alan Moore and Dave Gibbons’ iconic series can be compared to Gus Van Sant’s remake of Psycho: It stays true to the original, yet it lacks the same intensity, occasionally intriguing. The opening sequence, where the superheroes of the Watchmen universe rewrite 20th-century history, is still captivating. However, much of the rest has been surpassed by Damon Lindelof’s more recent series. Despite this, considering how the superhero genre has progressed since 2009, Snyder’s Watchmen now offers an intriguing retrospective view (from a somewhat experimental angle).
2010: Super
Before James Gunn gained prominence with “Guardians of the Galaxy”, he crafted this bold satire. The story revolves around a distressed individual, played by Rainn Wilson, who makes an unusual choice to take on the role of a vigilante, despite not possessing superpowers or exceptional physical fitness. Essentially, it’s a reimagining of “Taxi Driver” in a comedic superhero setting – as dark and disquieting as that concept might seem.
2011: Captain America: The First Avenger
Despite some issues with plot development, as a whole war is condensed into a montage, the portrayal of Chris Evans’ Captain America in this film might be the most successful adaptation within the Marvel Cinematic Universe. This movie transformed a character once criticized as dull or outdated into a captivating, charming, and multidimensional man exemplifying essential human qualities. The Captain America sequels have been commendable, but I’m not sure any have surpassed this one in embodying the spirit of Steve Rogers. This remains the MCU film to watch when you seek inspiration.
2012: The Avengers
Despite the release of “Infinity War” and “Endgame,” the original “Avengers” movie remains an extraordinary feat, seemingly beyond compare. Each character is skillfully balanced, the script is well-crafted, and the climactic Battle of New York stands as one of the most impressive action sequences in comic-book film history. Although Marvel has grown since then, it’s a matter of debate whether they’ve ever surpassed the brilliance found in quotes like “Puny god” or “I am always angry, Captain.” That’s just my opinion.
2013: Iron Man 3
The film, while generally good, could have been better without the influence of the Marvel Cinematic Universe. The movie, Iron Man 3, effectively portrays Tony Stark deciding to retire as Iron Man and embark on a new journey. However, this decision was short-lived, with him reappearing in numerous subsequent films. (Notably, before Robert Downey Jr.’s return as Doctor Doom.) Guy Pearce’s character, Killian, falls short of expectations, but Downey Jr.’s exasperated scenes with his intelligent and precocious sidekick are commendable. Unlike most MCU films that benefit from being watched within the broader context, Iron Man 3 might be more enjoyable if watched spontaneously without prior knowledge of the series.
2014: Guardians of the Galaxy
In the beginning, the movie “Guardians of the Galaxy” demonstrated that Marvel’s reputation was powerful enough to draw audiences to stories that were virtually unknown in mainstream media. Many dedicated Marvel enthusiasts had never even picked up a Guardians of the Galaxy comic before the film premiered – these characters were barely mentioned in Marvel lore until director James Gunn transformed them into an unexpected box office hit. Lastly, it’s indisputable that Rocket is the standout character among the Guardians, so let’s just agree on this point without further debate.
2015: Avengers: Age of Ultron
In a different wording: The rating for The Avengers on Letterboxd is 3.7, and Avengers: Age of Ultron received a score of 3.2. Although it’s common knowledge that many sequels don’t live up to their predecessors, I’m still puzzled by the broad dislike towards this film. The climactic scene where the Avengers unite to save every life in Sokovia epitomizes the essence of Marvel. Maybe over time, people will reevaluate Age of Ultron more positively, just as some fans eventually came around to appreciating Sam Raimi’s Spider-Man movies.
2016: Captain America: Civil War
While “Captain America: Civil War” may not have been particularly effective as an ideological battle between Iron Man and Captain America or as a tight-knit thriller (in fact, the plot can seem unraveled with a casual glance), it excels brilliantly in presenting the first generation of Marvel Cinematic Universe heroes. These characters engage in an epic, airport-set action finale where they clash mightily.
2017: The LEGO Batman Movie
For approximately two years, my oldest child’s go-to movie was “The LEGO Batman Movie.” I can’t even count how many times we rewatched it. To put it simply, this film is one of the most enjoyable movies of the past decade. With countless visual jokes, puns, and references to lesser-known Batman tales, as well as Will Arnett’s brilliantly arrogant voice portrayal of LEGO Batman himself, it’s a must-watch. Over the last decade, I’ve watched numerous kids’ movies; some were amusing, others not so much. However, “The LEGO Batman Movie” is by far the funniest. Instead of making fun of the character or comics, it’s a heartfelt tribute to everything that makes the Dark Knight iconic.
2018: Spider-Man: Into the Spider-Verse
As a dedicated cinephile, I’d say it with all my heart: “Spider-Man: Into the Spider-Verse might just be the ultimate Spider-Man film – and that’s saying something! (Until Across the Spider-Verse came along, of course.) The movie brings together an impressive ensemble of web-slinging heroes, from Miles Morales, the young prodigy, to Gwen Stacy, the brave heroine, and even Peter B. Parker, a middle-aged, doughy version of our favorite wall-crawler – a character so relatable it hurts!
The film also pays a powerful tribute to Stan Lee and Steve Ditko’s moral compass from the original Amazing Spider-Man comics of the 1960s. Their idea that anyone who embraces their power and honors their responsibilities can be a hero is brought to life in this beautifully animated masterpiece, creating a breathtaking celebration of their lofty ideals.
2019: Avengers: Endgame
Endgame.” It was tasked with neatly concluding one of cinema’s most significant cliffhangers, tying up numerous storylines from over 20 Marvel Cinematic Universe (MCU) movies, and still offering a standalone entertaining experience. Remarkably, Kevin Feige, the Russo brothers, and the Marvel Studios team managed to achieve this feat. Impressively, despite the abundance of Easter eggs, they didn’t hinder the storyline, action, or the emotional farewell to Robert Downey Jr.’s portrayal of Tony Stark as Iron Man.
2020: The Old Guard
In “The Old Guard,” a comic-inspired film led by Charlize Theron as the head of an immortal group of warriors, traditional superhero elements abound. They engage in endless battles against evil forces, with Harry Melling portraying a cunning pharmaceutical executive seeking to unravel their unique genetic makeup. Unlike many action films, director Gina Prince-Bythewood infuses the story with depth and subtlety, delving into aspects usually neglected in favor of on-screen violence. Instead of glorifying heroic powers without explanation, “The Old Guard” explores the darker implications of immortality.
2021: Spider-Man: No Way Home
Jon Watts’ third Spider-Man movie is comparable to Sam Raimi’s third Spider-Man film. Both films are packed with numerous villains, but on a positive note, this movie does an excellent job of portraying the charm and persistence of Peter Parker as a character. It also significantly introduced the multiverse concept in MCU movies, making a significant mark in the company’s history.
The third Spider-Man film by Jon Watts is similar to Sam Raimi’s third Spider-Man movie in many ways. Both films feature an abundance of villains. On the bright side, this movie effectively captures the allure of Peter Parker as a character – a person who consistently falls short but never gives up on making things right next time. Additionally, it significantly introduced the multiverse concept in MCU movies, which is a significant milestone for the company’s history.
2022: RRR
This Indian film titled “RRR” overwhelms your brain with three hours of grandeur, romance, music, and thrilling action scenes. In essence, it’s like a modern-day South Asian adaptation of a classic John Woo action movie featuring two exceptionally powerful men from different worlds who find themselves in an unexpected alliance. Here, these men are Bheem (N.T. Rama Rao Jr.), a Gond tribe warrior, and Rama (Ram Charan), a British Empire soldier. Bheem is on a mission to rescue a kidnapped girl in Delhi; Rama is tasked with finding the mysterious man seeking her. Despite being adversaries initially, a fortuitous accident transforms them into swift friends.
Although they don’t possess superpowers or the ability to fly, “RRR” exhibits strong influences from the superhero genre. As a matter of fact, its director, S.S. Rajamouli, openly referred to it as an “imaginary friendship between two superheroes.” With enthusiasm and a contagious spirit of adventure, they elevate the genre to new heights, soaring into a promising future.
2023: Spider-Man: Across the Spider-Verse
As a movie enthusiast, I was blown away by the expansive vision of “Spider-Man: Across the Spider-Verse,” the ambitious sequel to “Spider-Man: Into the Spider-Verse.” Miles Morales finds himself in the company of Spider-Man 2099 and his “Spider Society,” a group dedicated to safeguarding the multiverse from threats like the enigmatic Spot, who can open interdimensional portals at will. While “Into the Spider-Verse” was visually stunning, “Across the Spider-Verse” raises the bar even higher, boasting a bolder and more captivating aesthetic. For instance, Spider-Gwen’s world seems to be a vibrant watercolor painting come to life, while Spider-Man India hails from a “Mumbattan” that swirls with shades of yellows and greens. The one drawback of “Across the Spider-Verse”? It’s the first part of a two-part story, and at times, it feels like just that. However, there’s no denying that it’s one of the most thrilling and visually striking superhero movies of 2023.
2024: Deadpool & Wolverine
The camaraderie between Ryan Reynolds and Hugh Jackman is just what you expect. Their cameos are surprising, even startling. However, the story pushes the limits of how much background information a film can have without becoming confusing. (Why does one character need so many sad pasts? This movie seems to think two is enough!) Fortunately, Jackman and Reynolds do provide what you’d hope for in a Deadpool and Wolverine collaboration, as they reluctantly team up to save the Fox X-Men universe.
In this version, I aimed to maintain the original meaning while using simpler language and more conversational phrasing to make it easier to read.
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2025-08-11 22:00