La próxima serie Disney+, Marvel Zombies, derivada de una larga serie de cómics oscuros de Marvel, promete ser la entrega más violenta y sangrienta hasta el universo cinematográfico de Marvel. Parece que ningún otro espectáculo en la franquicia tiene, o probablemente se acercará, coincidiendo con su nivel de derramamiento de sangre e intensidad.
La próxima serie animada que llega a Disney+ en septiembre presenta un remolque lleno de horribles escenas zombis que involucran desmembramiento, decapitación y grandes cantidades de sangre. Los personajes alguna vez apreciaron cuando Marvel Heroes se encuentran con su desaparición de manera espeluznante. Un recordatorio de que los días en que Disney+ mantuvo una política familiar, empujando cualquier cosa demasiado intensa a Hulu, ahora están muy por detrás de nosotros.
En el frente de la voz de Marvel Zombies, tenemos estrellas como Elizabeth Olsen, Paul Rudd, Florence Pugh, David Harbor, Tessa Thompson, Simu Liu, Awkwafina, Hailee Steinfeld, Wyatt Russell, Randall Park, Iman Vellani y Dominique Thorne que prestan sus talentos.
Mira a algunos de tus héroes de Marvel favoritos morir de manera horrible en el trailer a continuación:
En lugar de preguntar: Sí, tienes razón ese personaje al final del trailer es realmente Blade, o “Blade Knight”, un personaje con poderes de luna como caballero. Sin embargo, al contrario de la creencia popular, Blade Knight en la serie no es expresada por Mahershala Ali como lo sugieren los subtítulos de las fotos de la prensa. En cambio, Todd Williams es acreditado como el actor de voz de Blade Knight.
También hay un nuevo póster para la serie …
Aquí está la sinopsis oficial de la serie:
Después de que los Vengadores se infectan con una epidemia de zombie, una frenética banda de sobrevivientes descubre el secreto para terminar con los superhéroes no muertos, precipitarse a través de un páramo post-apocalíptico y desafiar todos los peligros para salvar su mundo.
Marvel’s Zombies hace su debut en Disney+ el 24 de septiembre, con la serie completa accesible desde ese día en adelante.
Regístrese en Disney+ aquí.
Cada película de Marvel jamás realizada, clasificada de peor a primera
80. Elektra (2005)
Elektra, conocido como el principal asesino del mundo, tiene mucho cuidado para eliminar cualquier rastro de su ADN de su área de trabajo. Sin embargo, también es lo suficientemente descuidada como para socializar con sus curiosos nuevos vecinos mientras está en una tarea, sin saber que son parte de su misión. Por extraño que parezca, después de morir y ser revivido en Daredevil, Elektra ganó el poder de prever el futuro e incluso rebobinar el tiempo si es necesario, esencialmente convirtiéndola en una deidad inmortal. Entonces, no es sorprendente que pase su tiempo luchando contra ninjas con un par de Sai usando sus poderes divinos. Desde su página de Wikipedia, se sabe que Garner no quería ser parte de esta película, pero acordó debido a las obligaciones contractuales de Daredevil. En algún lugar, alguien vio a Elektra como su primera película de Marvel. Tomemos un momento para sentir por esta persona.
79. Capitán América (1990)
La película de bajo presupuesto de 1990 titulada “Captain America” es exclusivamente mala, con una falta de sutileza que es evidente en escenas en las que las tomas de la Casa Blanca se acompañan de tarjetas de título que leen “Casa Blanca – Washington D.C.” sin ningún indicio de ironía, y luego se repitió como “Washington D.C.” Las secuencias iniciales establecidas en la década de 1930 son decentes y recuerdan más el Capitán América retratado en el universo cinematográfico de Marvel de lo que se podría suponer. Sin embargo, la calidad toma una quiebra significativa una vez que el Capitán América se despierta a principios de la década de 1990, sumergiéndose al nivel de música barata y sintetizada que probablemente nunca antes había escuchado. El disfraz de Captain America de Matt Salinger es aceptable para el momento, pero rara vez lo usa y, en cambio, pasa una gran parte de la película que actúa con náuseas para robar autos saltando al asiento del conductor cuando la otra persona sale para verlo.
78. Cuatro fantásticos (2015)
En términos más simples, un equipo de jóvenes investigadores brillantes inventa un dispositivo para viajes interdimensionales, temiendo que su gobierno pueda explotar su trabajo y reclamar crédito. Lo prueban ellos mismos pero terminan ganando habilidades extraordinarias o transformaciones grotescas. Esta narrativa puede verse como una metáfora de la producción de ‘Fantastic Four’ de Josh Trank, donde los ambiciosos cineastas con ideas innovadoras aportan una nueva versión de los personajes clásicos, pero su creatividad está amenazada por intereses egoístas centrados en las ganancias. La película cambia entre ser un horror oscuro y un espectáculo de superhéroes lleno de acción, lo que brinda a los espectadores una combinación caótica de géneros que no se mezclan. Es como comer una ensalada con lechuga, gusanos de goma y muestras de alfombras empapadas en la dura limonada de Mike. Además, la desnudez continua de la cosa a lo largo de la película es desconcertante y deja a muchos espectadores incómodos.
77. Morbius (2022)
El 1 de abril de 2022, el lanzamiento de Morbius dejó al público sintiéndose como si hubieran sido bromados a gran escala. La película final se parecía poco a sus trailers, con varias escenas y tramas notablemente ausentes. Parecía que durante la postproducción, toda la película experimentó cambios significativos para garantizar que fuera evidente que no pertenecía al universo cinematográfico de Marvel. Desafortunadamente, esta fue una de las pocas cosas que estaban cristalinas sobre Morbius, una película de vampiros que parecía haber sido reconstruida por el Dr. Frankenstein, aplastando historias y personajes caóticos de una manera caótica y desarticulada.
76. X-Men Origins: Wolverine (2009)
El título algo humorístico te da una buena idea del contenido de la película. ¿Es una película de X-Men, una aventura en solitario de Wolverine o la historia de origen? ¿Qué tal si es los tres? Si el director Gavin Hood se hubiera concentrado en un solo aspecto, podría haber hecho una película decente. Sin embargo, esta película ya estaba condenada a su concepción debido a su revoltijo de varios cuentos diferentes de X-Men y Wolverine. Líneas como “No nos registramos para esto”, “¡Hemos hecho lo suficiente!”, “Te ves como un hombre a punto de hacer algo mal”, y mi favorito personal, “Wake Me When It’s Over”, que se encuentra en X-Men Origins, también puede verse como un comentario sobre las fallas de la película.
75. Madame Web (2024)
En términos más simples, la película titulada “Madame Web” presenta a Dakota Johnson como el protagonista, un personaje que no ha tenido su propio Marvel Comic en curso. A pesar de esto, Sony produjo esta película como parte de su intento de expandir su universo de películas de Spider-Man. Curiosamente, el personaje principal no se hace referencia comúnmente por su título en la película. Después de un cepillo cercano con la muerte, el personaje EMT de Johnson desarrolla habilidades psíquicas y tiene la tarea de salvaguardar a tres mujeres jóvenes que están siendo perseguidas por un villano con poderes de araña. La historia parece haber sido revisada significativamente durante la postproducción, y los efectos especiales y los diseños de disfraces son bastante discordantes. Desafortunadamente, “Madame Web” enfrenta una dura competencia por el título de peor spin -off de la película “Morbius”, que se lanzó unos años antes.
74. Los nuevos mutantes (2020)
Después de numerosos contratiempos y especulaciones, el capítulo final de la serie X-Men, “The New Mutants”, se topó con los cines durante el verano de 2020. Sigue siendo fiel a los personajes de cómics como Shy Werewolf Rahne Sinclair (retratado por Maisie Williams) y Bobby da Costa con su supresión de Brash (Henry Zaga), se retrató por la autenticidad. Sin embargo, desafortunadamente no logró cumplir su concepto de un vasto hospital mutante dirigido por un simple médico. Las referencias al universo más amplio de X-Men solo se sumaron a la confusión (¿por qué no está Coloso y por qué está aparentemente bien con su hermana recibiendo tratamiento de este cuestionable médico?). En conclusión, “los nuevos mutantes” representaron una importante oportunidad desperdiciada.
73. Kraven the Hunter (2024)
¿Alguna vez reflexionó sobre el origen del chaleco peludo de Kraven? ¡Hay una película que podría intrigarte! Sin embargo, si no está particularmente interesado en el guardarropa de Kraven, puede encontrar poco disfrute en kraven, un spin-off de Spider-Man excesivamente largo y sincero (sin ningún hombre de araña). El protagonista, un cazador de hombres retratado por Aaron Taylor-Johnson, está en gran medida definido por su físico. Sus hazañas incluyen conflictos con su padre (interpretado por Russell Crowe en una actuación exagerada y muy acentuada en ruso), y el rinoceronte, quien en este universo es un tramposo criminal ruso que lleva una mochila de tamaño infantil lleno de sueros para evitar que se transforme en una bestia grande y gris. Sony ha producido algunas excelentes películas de Spider-Man, tanto en vivo como animadas. Sin embargo, estos spin -off son los menos impresionantes.
72. Blade: Trinity (2004)
Durante la producción de esta película, como lo declaró el coprotagonista Patton Oswalt, parecía haber tensión entre Wesley Snipes y el director David Goyer, con una comunicación limitada principalmente a las notas pasadas (que Snipes firmaría “de Blade”). En consecuencia, todas las tomas que no requirieron un primer plano de francotiradores se filmaron utilizando su suplente. Sin embargo, a menos que esté viendo de cerca la pantalla mientras se reproduce la película, es poco probable que noten esta discrepancia.
71. The Amazing Spider-Man (2012)
En esta película, hay una escena en la que Peter Parker visita al Dr. Curt Connors para obtener ayuda para capturar un colosal lagarto. Connors se niega a ayudar a Peter con su situación, afirmando que está ocupado con una “nueva tarea” y necesita trabajar solo. Pede cortésmente a Peter que se vaya, pero luego es Connors quien sale de la oficina, permitiendo que Peter permanezca atrás en su laboratorio. Curioso, Peter explora y descubre pruebas que revela a Connors como la lagartija. Esencialmente, el personaje A instruye al personaje B que se vaya, pero en lugar de que el carácter B se vaya, el carácter A, lo que permite que el carácter B se demore. Crear películas es más intrincada de lo que parece.
70. Eternals
Inicialmente, no habría imaginado que una película de Marvel dirigida por un ganador del Premio de la Academia, que gira en torno a algunos de los cómics más audaces de Jack Kirby, daría como resultado una de las producciones menos indispensables de la compañía. Lamentablemente, Eternals, desafortunadamente, nunca se gelificó. Se adhiere en gran medida a los principios clave del cómic original con alteraciones menores pero significativamente irritantes, como transformar los desviados malévolos en monstruos sin rostro sin objetivos ni motivaciones. El conjunto cuenta con roles de apoyo encomiables de Kumail Nanjiani y Brian Tyree Henry, sin embargo, los personajes principales: Gemma Chan retrata a Sersi y Richard Madden como Ikaris: lucha por transmitir convincentemente su supuesto romance de larga data (una relación que abarca miles de años, pero parecía que si estaba en su primera dada hacia el primer tiempo). El guión ocasionalmente profundiza en temas intrigantes sobre los enlaces entre superhéroes, mitología y religión, solo para abandonarlos repetidamente a favor de las secuencias de acción de Marvel estándar. En resumen, Eternals representa un flop ambicioso, un fallo, no obstante.
69. The Incredible Hulk (2008)
68. Venom: Deje que haya carnicería (2021)
Como un apasionado filtro, diría que si bien el “Venom” inicial fue una exploración oscura del horror del cuerpo con una representación cómica exagerada en su núcleo, “Let A Be Be Carnage” se siente más como una comedia romántica entre Eddie Brock y Venom de Tom Hardy. Se discuten sobre sus arreglos de vivienda incompatibles e incluso consideran separarse de explorar otras posibilidades (o tal vez disfrutar de algunas fiestas cerebrales alienígenas). A diferencia de la primera película, que fue empantanada por subtramas, villanos y cuentos complicados sobre las bases de la vida malévola, esta secuela se desprende de sus elementos esenciales tan severos que incluso las preguntas básicas de la historia no tienen respuesta, y algunos personajes secundarios cruciales no aparecen hasta que se encuentren en la película. La trama está plagada de agujeros, y las secuencias de acción incomprensibles no aclaran exactamente las cosas.
67. X-Men: Apocalypse (2016)
En la película “X-Men: Apocalypse”, optaron por enterrar el encanto de Oscar Isaac menos de 60 libras de maquillaje azul feo, dándole una voz cómica y haciéndole realizar acciones incómodas como tocar una pantalla de televisión mientras gimiendo “Lleeeeearning”. Uno de sus muchos defectos es este mal uso del talento. También tenía una secuencia de apertura humorística pero tonta, desperdició la energía generada por su excelente precuela, “X-Men: Days of Future Past”, y no pudo mantener la buena voluntad que acumuló.
66. Dark Phoenix (2019)
En el segundo intento del director Simon Kinberg en “The Dark Phoenix Saga”, que también fue una co-escritura para X-Men: The Last Stand, muestra una mejora en ciertos aspectos, pero se queda corto en otros en comparación con el original. Según las recientes tendencias de la serie X-Men, la representación de Michael Fassbender de Magneto sigue siendo lo más destacado, agregando una profundidad al papel que la serie no puede justificar por completo. Es bastante intrigante cómo Magneto parece tener 60 años en esta película, pero lleva una semejanza tan juvenil que recuerda a Michael Fassbender, ¡se podría pensar que su terapia magnética es bastante efectiva!
65. The Punisher (2004)
Similar a otras películas en esta lista, “The Punisher” lucha al tratar de combinar múltiples historias con estados de ánimo claramente diferentes en una película. Por ejemplo, la decisión inusual de crear una historia de origen que también sirve como una historia de regreso para el personaje (la miniserie en la que se basa se llama “Bienvenido, Frank”) no funciona del todo. Si bien las mejores partes de la película son de ese cómic, conocidas por su humor agudo y su violencia excesiva, carecía de un villano que se ajustaba a este tono. En cambio, la interpretación de John Travolta de un jefe de crimen serio y sin humor no coincidió.
64. Howard the Duck (1986)
La infame reputación de la película de Marvel, Howard the Duck , a medida que la peor producción de Marvel se ha vuelto obsoleta con el tiempo. El día de moderna Marvel es una máquina bien engrasada, que produce constantemente películas y series a un ritmo increíble. Si bien gran parte de lo que producen es agradable, su enfoque de universo metódico no puede replicar la naturaleza impredecible de Howard the Duck . Esta película se destaca como un bizherre, genuinamente aterrador (con el Señor Overio Dark de Jeffrey Jones, siendo más escalofriante que Thanos), y sorprendentemente picante para una película de pato. Hasta el día de hoy, sigue siendo la película de Marvel más inusual por un margen considerable. (Puedes leer más sobre eso aquí .)
63. The Amazing Spider-Man 2 (2014)
En la secuela de la película extraordinaria, hay una ligera mejora sobre la inicial. Las acrobacias de Spider-Man están bien ejecutadas, Andrew Garfield parece más a gusto como un héroe brusco en comparación con Tobey Maguire, y comparten una convincente química en pantalla con Emma Stone. Sin embargo, los villanos en esta entrega dejan mucho que desear; Son consistentes y angustiosamente pobres. El electro personaje de Jamie Foxx pasa de un paria patética a un loco solicitante de poder en solo segundos. Mientras tanto, Dane Dehaan retrata a Harry Osborn, quien tiene un parecido sorprendente con una combinación de un antagonista de Mad Max y una muñeca troll. Hay varias escenas fuertes en todo momento, pero tendrá que soportar algunas verdaderamente pobres para apreciarlas.
62. Cuatro fantásticos (2005)
La primera familia de Marvel ha enfrentado un trato injusto constantemente en Hollywood. Su película inicial fue tan mal recibida que Marvel decidió comprarla para evitar cualquier impacto negativo en sus cómics. Desafortunadamente, a la última película no le fue mucho mejor. Entre estas decepciones se intercambiaron dos éxitos de taquilla mediocres de Fox, con un elenco promedio y algunas de las peores ubicaciones de productos que he visto.
61. Ghost Rider (2007)
Estoy bastante seguro de que Sam Elliott interpreta al mismo personaje en esta película que en “The Big Lebowski”. Además, estoy completamente convencido de que la película podría haberse mejorado si el tipo se hubiera transformado en Ghost Rider. A pesar del hecho de que Nicolas Cage ofrece una actuación intrigantemente extraña: beber café directamente de la olla, hablar como Elvis en Quaaludes y comportarse como si fuera una conciencia alienígena recientemente física: la sensación general es algo artificial. Una secuela puede introducir arenismo y suciedad auténticos en el concepto.
Creo que Sam Elliott interpreta al mismo personaje en esta película como lo hizo en “The Big Lebowski”. Creo que la película podría haberse mejorado si el tipo se convirtiera en Ghost Rider. Aunque la actuación de Nicolas Cage es extraña y entretenida, beber café directamente de la olla, hablar como Elvis en Quaaludes y actuar como si fuera una nueva forma física para una conciencia alienígena, se siente artificial. Una secuela podría agregar algo de suciedad de la vida real al concepto.
60. Daredevil (2003)
The 2003 Daredevil movie starring Ben Affleck seems hard to believe it’s almost two decades old now. The Matrix-inspired leather costumes and the nu metal soundtrack featuring bands like Hoobastank, Saliva, Drowning Pool, and Evanescence give the film a distinctly dated feel. Director Mark Steven Johnson struggled to condense years of Daredevil comics into a mere 103 minutes, resulting in a somewhat muddled storyline. However, for what it’s worth, the director’s cut that includes about half an hour more footage and a subplot concerning Matt Murdock’s court case missing from the theatrical version, offers slightly improved viewing experience.
59. Thor: The Dark World (2013)
We came close to having Patty Jenkins’ interpretation of Thor. However, what we ended up with is a rather dull chase for a mystical object, which features arguably the least engaging villain in the entire Marvel Cinematic Universe. If there’s a silver lining, it could be that this movie performed poorly enough to persuade Marvel to take risks and drastically change things as they did with Thor: Ragnarok.”
(You can read more about it here.)
58. The Marvels (2023)
57. Venom (2018)
In the movie “Venom”, things start off chaotic, but once Tom Hardy’s character forms a bond with the alien symbiote, the film transforms into an unexpectedly hilarious spectacle. The symbiote, speaking in a gruff voice inside Hardy’s head (voiced by him), leads to an amusing dynamic where Hardy and his symbiotic alter ego engage in witty banter. They engage in humorous physical skirmishes with villains, as if Venom is controlling Tom Hardy like a marionette. They also have an unusual appetite for tater tots. Essentially, it’s as if Stan Laurel and Oliver Hardy had merged into one character, with one of them having a penchant for consuming human heads.
56. X-Men: The Last Stand (2006)
The movie titled “The Last Stand” surpasses its general perception to some extent. It contains captivating segments, such as Sir Ian McKellen’s compelling performance as Magneto, the Danger Room sequence that was definitely worth the anticipation, and Kelsey Grammer’s portrayal of Beast mirrors a character straight from the Marvel comics. However, the Dark Phoenix storyline and anything related to Juggernaut are far from satisfactory.
55. Captain America: Brave New World (2025)
In the wrong narrative, the right hero shines – this sentiment rings true for many recent Marvel films, including The Marvels, but it’s particularly applicable to Captain America: Brave New World. This film marks Anthony Mackie’s captivating Sam Wilson as the leading character, only to burden him with a monotonous villain and a plot riddled with unnecessary references to The Incredible Hulk – leaving one pondering the fate of Betty Ross seems an odd choice indeed.
This paraphrase maintains the original tone while making it easier for readers to understand, using simpler language and clearer sentence structure.
54. Punisher: War Zone (2008)
In my opinion, Ray Stevenson delivers the standout portrayal among all the film adaptations of The Punisher. His character seems deeply self-loathing, much like his enemies from the Mafia, and he embodies the appearance of a character straight off a Tim Bradstreet cover. Aside from Stevenson’s exceptional performance, “Punisher: War Zone” appears to be an adaptation of a standard comic issue – the forgettable issues released between more significant story arcs to maintain the series’ schedule. The Punisher enters and exits the movie in exactly the same state as before, with little character development. There is an abundance of violence and action throughout, though it often feels disjointed and lacks depth, save for one memorable rocket launcher scene. Jigsaw is the only character who undergoes a transformation; he’s played by Dominic West, whose performance in this film is arguably his worst to date – overly exaggerated and lacking the gritty realism that Stevenson brings to the table in his half of the movie.
53. Fantastic Four: Rise of the Silver Surfer (2007)
Although it may not be considered a masterpiece, I believe the sequel has been somewhat overlooked and is actually an improvement over the first movie with this particular cast. Chris Evans manages to deliver equally impressive performances as both the Human Torch and Captain America. Moreover, the portrayal of the Surfer in this film is truly remarkable – I’m still in awe that such a corny movie could produce a version of this character that is so menacing, captivating, and cool. Additionally, it’s worth noting that the entire movie runs for less than 90 minutes before the credits roll.
While some people might not think highly of this sequel, I personally believe it’s undervalued and even surpasses the original film with the same cast. Chris Evans is terrific in both roles – as the Human Torch and Captain America. Moreover, the Surfer’s storyline in this movie is exceptional – I can’t believe a film like this could create such an ominous, beautiful, and cool version of that character. To top it off, the movie only lasts about 90 minutes before the credits start rolling.
52. Doctor Strange (2016)
In simpler terms, the movie Doctor Strange is visually stunning, but it seems like just another version of Iron Man with magic added in. However, it scores points for its clever ending involving Dormammu, but loses them due to Strange’s eccentric cape. (You can read more about it here.)
51. Iron Man 2 (2010)
Remarkably better than expected, yet far from extraordinary. Sam Rockwell’s dance moves can hide many flaws, but not all of them. Trimming 15 minutes of setup from Avengers could potentially make for a much more compelling film. (Read more here.)
50. Deadpool (2016)
In my critique, I found this film’s cold-hearted villain, who appears to be devoid of even the most fundamental human emotions, remarkably reflective of the movie itself. It offers some clever meta humor about superhero flicks, but not much else beyond that. At one particular moment, Deadpool quips about the fact that his movie can’t afford more than a couple of X-Men appearances, which is endearing, yet likely accurate – serving as both a witty comment and an explanation for budgetary constraints.
49. The Wolverine (2013)
The movie titled “The Wolverine” struggles with its identity more than its forgetful, furry protagonist. Initially, it presents itself as a deep character exploration, but later transforms into a typical CGI-heavy action film. The movie could have either been significantly shorter or longer to maintain consistency in style. Upon its release, “The Wolverine” was merely average. However, considering the existence of “Logan,” it feels unnecessary. Nonetheless, it does boast Jackman’s best portrayal of Wolverine’s hair, which may still hold some appeal.
48. Hulk (2003)
Just like “Howard the Duck,” Ang Lee’s “Hulk” stands out as an unorthodox film in a genre known for its familiar tropes. Lee blended comic-book visuals with his shots, and delved into Freudian psychology within the narrative of Bruce Banner (played by Eric Bana, who aptly portrayed Banner’s repression). Furthermore, the movie concluded with Nick Nolte transforming into a colossal electricity creature. While some aspects were successful, others were not entirely so.
47. X-Men: First Class (2011)
A Whirlwind of Action Packed into a Compact Movie Experience
As a devoted movie-goer, I must confess that “X-Men: First Class” packs an impressive amount of plot for its duration. It’s almost like watching five years’ worth of events unfold within the span of a single week! The film takes us on an extraordinary journey where we witness Magneto and Professor X meet for the first time, assemble their initial team of X-Men, train them to be heroes, and ultimately, thwart the Cuban Missile Crisis.
Despite the fast pace, the casting choices were truly commendable, particularly the selection of James McAvoy and Michael Fassbender as the young Professor X and Magneto respectively. These decisions breathed fresh life into these iconic characters. Among them, Fassbender’s portrayal of Magneto was especially captivating, as we finally got a glimpse of the vengeful Magneto we had longed for, hunting down Nazi war criminals hiding in South America.
All in all, “X-Men: First Class” offers a thrilling ride with an action-packed narrative that leaves you craving more!
46. Ant-Man (2015)
The film Ant-Man isn’t bad, but it’s challenging not to perceive it as a scaled-down adaptation of the grander Edgar Wright movie we could have experienced. However, it’s worth mentioning that Michael Peña’s character Luis might just be the standout non-superpowered character in the Marvel Cinematic Universe. (You can read more about it here.)
In this version, I’ve made an attempt to use simpler and more conversational language to make it easier for a wider audience to understand.
45. Ant-Man and the Wasp: Quantumania (2023)
Stepping into the arena between Ant-Man and Kang the Conqueror, I can’t help but feel a tinge of empathy for Scott Lang, as even the formidable Kang (played by Jonathan Majors) acknowledges he’s “out of his league.” This cosmic battle, in many ways, symbolizes the film itself. The humble, lighthearted universe of the Ant-Man series, brimming with dry humor and lovable characters, seems almost trivial when faced with the grandiose multiversal saga unfolding in Marvel Phase 5.
On the big screen, it delivers a satisfying Marvel adventure. However, as an extension of the Ant-Man franchise, it falls somewhat short. Regrettably, fans hoping for more of Michael Peña’s beloved character, Luis, may find themselves disappointed, as he is absent from this installment.
44. Ant-Man and the Wasp (2018)
In the movie “Ant-Man and the Wasp,” its charm lies in emphasizing its tiny scale. This is evident through Paul Rudd’s humorous antics, Michael Peña’s heartfelt soliloquies, and a microscopic family drama that revolves around mending a broken bond once more. (You can read more about it here.)
43. Captain Marvel (2019)
In a somewhat unexpected twist, while Captain Marvel, portrayed by Brie Larson’s Carol Danvers, is arguably the mightiest hero in the Marvel Cinematic Universe, the film itself could have benefited from a stronger emotional pull. However, it manages to remain engaging thanks to two standout performances: Ben Mendelsohn as the cunning Skrull, Talos, and Samuel L. Jackson, alongside his remarkably convincing de-aging special effects, portraying a youthful Nick Fury. (For further details, see the link provided.)
42. Ghost Rider: Spirit of Vengeance (2011)
In simpler terms, the new Ghost Rider movie surpasses the original in many aspects, particularly the character and bike design. However, it doesn’t quite reach the level of chaos and intensity found in a Neveldine/Taylor Nicolas Cage superhero film. Despite Nicolas Cage delivering some eccentric performances, he is less erratic in this movie compared to the first one, where he portrayed an Elvis-like character with more distinct idiosyncrasies. This film, running at around 90 minutes with fewer action sequences, seems like a condensed version of what could have been a darker, scarier, and more fulfilling movie.
41. Black Widow (2021)
In 2021, Scarlett Johansson’s long-awaited solo film, “Black Widow,” was released. Instead of having her own spotlight as expected, she found herself mainly acting as a foil to the humorous banter of her Russian superhero teammates – David Harbour portraying the self-centered Red Guardian and Florence Pugh delivering an outstanding performance as Yelena. Consequently, “Black Widow” might not have been the fitting finale that the character deserved. However, it still represents another successful Marvel production, offering thrilling action scenes, and a compelling villain in Taskmaster, who can copy the combat skills of anyone he encounters.
40. Deadpool 2 (2018)
In the sequel to “Deadpool,” Ryan Reynolds’ character, Wade Wilson, experiences an unexpectedly heartfelt development, contrasting the first film. Josh Brolin’s portrayal of Cable is spot-on, providing a perfect balance as the brooding, taciturn counterpart to Deadpool’s non-stop chatter. The introduction of X-Force in this movie also delivers one of the longest and funniest running gags on the list. It’s recommended to stick with the original R-rated version for the most authentic experience, as the PG-13 adaptation offers a different comedic approach.
39. Captain America (1944)
For approximately four decades, only Captain America from Marvel Comics was adapted into movies, with his debut being a serial in 1944. Interestingly, this early version of Captain America wasn’t Steve Rogers but rather Grant Gardner, a vigilant district attorney. Unlike the comics, there is no reference to his well-known origin involving the Super-Soldier Serum, and he doesn’t utilize an indestructible shield. Instead, Captain America combats “The Scarab,” a typical 1940s villain on a mission to find various high-tech devices known as MacGuffins. One of these MacGuffins is a “thermodynamic vibration engine” that could bring down skyscrapers, although it’s frequently referred to in the serial as a “vibrator.” Yes, you read that correctly – they often say, “The vibrator! If it doesn’t stop, the building will fall!” (Read more here.)
38. Thor: Love and Thunder (2022)
Watching Taika Waititi’s second Thor film, “Love and Thunder,” somewhat resembles observing a magician performing the same trick twice. Initially, it was mesmerizing. However, upon the second viewing, while it remains intriguing, the surprise factor is significantly diminished. Christian Bale delivers an unsettling portrayal of Gorr the God-Butcher, but his intense and highly emotional villain persona doesn’t quite align with Chris Hemsworth’s Thor and his incessant humor. Essentially, “Love and Thunder” retains all the components of Waititi’s “Thor: Ragnarok,” but they don’t harmonize as smoothly this time around.
37. Deadpool & Wolverine
The camaraderie between Ryan Reynolds and Hugh Jackman is exactly what you’d expect – their cameos are surprising, even shocking. However, the story is packed with so much background information that it becomes hard to follow, often making little sense. (Why do characters need so many sad pasts? This movie seems to think two is the magic number!) If you can ignore what’s happening on screen for a moment, you might still have an enjoyable experience. And Jackman and Reynolds certainly deliver as Deadpool and Wolverine, forced to work together to save the Fox X-Men universe. You might find yourself wishing that the writers (including Reynolds himself) had done a better job with the script.
36. Captain America: The Winter Soldier (2014)
Not as Bad as You Think, Yet Could’ve Been Better
In a refreshed take, let’s discuss the alternate universe version of Iron Man 2: The Bizarro Iron Man 2. Contrary to popular belief, it’s worse than you recall, but still manages to be decent. The promotional hype emphasized the conspiracy thriller aspect excessively, but Anthony Mackie’s Falcon brings a fantastic new element to the series, and Chris Evans delivers another reliable performance as Captain America.
However, it remains a frustration that Nick Fury – the world’s most accomplished spy – was oblivious to the fact that everyone in S.H.I.E.L.D., except for him and his trusted few, were completely corrupt. Given Fury’s track record, one might expect better detective work. Come on, Nick! Open your eyes! (For further analysis, check out this link.)
25. Avengers: Infinity War (2018)
Although this movie is grand in scale and its ending is truly memorable, it seems to lack something essential. If you’re solely looking for an action-packed Marvel film with some witty remarks, then it should satisfy your expectations. However, if what you appreciate most are the characters, the friendship, and the quieter moments amidst the battles, then this movie might not resonate with you as much. (You can find more details here.)
This version aims to keep the original meaning intact while using a more conversational tone and making the language less formal.
34. Spider-Man 3 (2007)
The final Spider-Man film directed by Sam Raimi has frequently been criticized unfairly – even by Raimi himself who once stated in an interview that it “didn’t work too well.” While there are parts that aren’t perfect, there are many aspects that shine, such as some of the strongest action sequences from the Maguire trilogy, like the thrilling mid-air rescue of Gwen Stacy from a construction accident. The primary issue for many viewers is the portrayal of Venom, especially Raimi’s use of the black suit as a running joke; in one notorious scene, an “evil” Peter under the influence of his alien costume dances through the streets of New York. Without question, these moments were out-of-sync with the trend toward serious and gritty superhero films that were popular during that time. However, when you consider Spider-Man 3 as Raimi intentionally satirizing the concept of a “dark” comic book movie, the overall experience becomes more enjoyable.
33. X-Men (2000)
In my opinion, the reference to Toads and lightning feels a bit outdated. The black leather costumes in this movie certainly give off a vintage vibe that doesn’t quite match up with today’s standards. Hugh Jackman, while fantastic in his portrayal of Wolverine, seemed leaner compared to how he looked in later sequels. In this film, his Logan appears somewhat less muscular. However, there’s a compelling reason the first X-Men movie was such a game-changer in the superhero genre of the 2000s. It masterfully captured the essence of the characters and translated them onto the screen with a keen sense of editing, stripping away unnecessary elements to focus on what truly resonated with the audience.
By the way, did you know that Hugh Jackman almost missed his chance at playing Wolverine? He was actually the second choice for the role. The original Logan, Dougray Scott, had to withdraw from the project due to delays in filming Mission: Impossible II.
32. Iron Man 3 (2013)
The film in question was quite enjoyable, but its quality was somewhat diminished by the broader Marvel Cinematic Universe context. The movie’s plot ultimately concluded with Tony Stark retiring as Iron Man, only to reappear in several subsequent films. Although Guy Pearce’s portrayal of Killian fell flat, Robert Downey Jr.’s expressions of frustration with his young, intellectually advanced co-star were top-notch. (For further details, you may want to check out the original article here.)
31. Shang-Chi and the Legend of the Ten Rings (2021)
Initially, it’s important to acknowledge that the final scene, featuring dragons and monsters amidst a thick gray fog, is rather poorly executed with CGI. However, aside from this flaw, Shang-Chi could potentially be Marvel’s finest action film yet, boasting numerous thrilling and intricate fight scenes. The one on a San Francisco bus, in particular, is incredibly entertaining.
Simu Liu delivers a strong performance as the lead, and he is supported by a cast that offers depth rarely seen in Marvel productions. Tony Leung and Michelle Yeoh deliver noteworthy supporting performances, while Ben Kingsley and Awkwafina bring consistent comic relief to the table. Interestingly, Kingsley’s portrayal of the former Mandarin Trevor Slattery, who may not have been a popular villain initially, has been skillfully transformed into an endearing supporting character by Marvel.
30. Thor (2011)
As a film aficionado, I must say that the space-traversing spectacle known as “Thor” presents an unexpected backdrop – the quaint little town in New Mexico. Now, this movie isn’t without its flaws, but it marked a significant milestone for Marvel productions. Despite the structural and screenplay issues, outstanding casting and captivating performances managed to rise above and set a precedent that later became synonymous with the Marvel Cinematic Universe. (You can delve deeper into this discussion here.)
29. The Punisher (1989)
In simpler terms, the story portrays Frank Castle, resembling a Ninja Turtle with his underground hideout, engaging in combat against underwater ninjas. He speaks like Dolph Lundgren and displays his brutal prowess against the Yakuza within an antique amusement park, complete with a chaotic slide ride that doubles as a gunfight zone. A journalist exclaims, “Wow, it’s the Punisher!” after Frank blows up a mobster’s house. To summarize, I find this movie to be an over-the-top entertaining take on the Punisher.
28. Black Panther: Wakanda Forever (2022)
In a challenging scenario, director Ryan Coogler took on the task of creating a follow-up to Black Panther that matched its predecessor’s success. However, he had to do so without Chadwick Boseman, our captivating lead who tragically passed away in summer 2020 as production for this film was beginning. Coogler skillfully incorporates the mourning of Boseman into the narrative, focusing on Wakanda grappling with the loss of its monarch. While parts of the movie are somewhat disjointed, featuring a multitude of characters and an antagonist whose motivations aren’t always clear (the underwater ruler Namor), the emotional depth added by Boseman’s absence shines brightest in the film’s portrayal of Wakanda’s sorrow.
27. The Fantastic Four: First Steps (2025)
The Marvel film, titled “First Steps,” marks a significant enhancement over the four previous attempts by Roger Corman and 20th Century Fox to launch a cinematic Fantastic Four (FF) franchise. Given the mediocre to poor quality of the earlier productions, this upgrade is hardly surprising. The movie boasts impressive visual aesthetics and an intriguing antagonist, Galactus – a menacing cosmic entity seeking to consume Earth due to feelings of loneliness and hunger. Despite its strengths, the FF characters themselves come off as somewhat dull and uninspiring.
Overall, “First Steps” is an enjoyable watch, albeit not quite as entertaining as anticipated. Director Matt Shakman seemed to have carefully selected the four lead roles, but in practice, it appears that the stars may not have fully embraced these characters yet. Alternatively, the script might have stripped the Fantastic Four of their depth, leaving them without a chance to shine. To summarize, while “First Steps” is a good start, there’s certainly room for further improvement.
26. Captain America: Civil War (2016)
By using “constructed primarily” instead of “designed,” I aimed to convey that the movie was made with the airport battle in mind as a central focus, without using technical language. Additionally, I replaced “The big battle at the airport” with “the airport showdown between Tony Stark and Steve Rogers” for greater specificity and clarity. Lastly, I added “In spite of this,” to emphasize that despite the weaknesses of the plot, the airport battle was impressive.
25. Spider-Man: No Way Home (2021)
In this instance, Jon Watts’ third Spider-Man movie is quite comparable to Sam Raimi’s third Spider-Man film. They both have an abundance of villains. On the bright side, this movie effectively grasps and presents Peter Parker as a character who despite frequent failures, remains persistent in his quest for rectifying mistakes. Additionally, it introduces the multiverse concept into MCU films in a significant manner, marking a notable achievement in the company’s history.
24. Doctor Strange in the Multiverse of Madness (2022)
15 years after my departure, I, Sam Raimi, ventured back to the Marvel universe with an exhilaratingly chaotic tale that hangs in the balance of the multiverse’s fate. Much like my previous Spider-Man films, I ingeniously interwove my unique flavor – witty humor, maniacal zombies, and hair-raising surprises – into the conventional Marvel mold. (For further insights, please continue here.)
23. Thunderbolts (2025)
In a different take, numerous Marvel productions following “Endgame” seem to be Frankenstein-like creations, assembled from leftover elements of various comics, movies, and folklore. However, the series “*Thunderbolts*” stands out as a self-contained narrative; it offers an engaging plot and intriguing characters, with Florence Pugh’s portrayal of the new Black Widow particularly captivating. Her character, much like many of us, finds her life unbearable and her job devoid of fulfillment. But she discovers her purpose when she’s teamed up with a group of equally discontent mercenaries, including Wyatt Russell as the arrogant U.S. Agent and Hannah John-Kamen as the mystical Ghost. With its blend of action and an insightful allegory about overcoming despair and embracing camaraderie, “*Thunderbolts*” serves as a refreshing reminder of the studio’s potential when operating at peak performance.
22. Avengers: Age of Ultron (2015)
Despite some criticisms that it’s a less impressive follow-up to the original Avengers film and that the storyline involving Wanda and Pietro could use improvement (as shown in WandaVision), the climactic scene of the Avengers uniting to rescue every soul in Sokovia remains an exemplary representation of Marvel’s essence. (Read more here.)
21. Guardians of the Galaxy Vol. 2 (2017)
This latest movie is overly lengthy, featuring an excessive number (four, to be exact) of post-credits scenes. However, it deserves credit for taking Marvel’s lighthearted franchise and turning its sequel into a profound downer. It stands out as the only Marvel film that leaves me in tears – but not just any tears; it also includes comedic references to alien phallic deities. In my opinion, this unique blend of drama and humor makes for an unbeatable combination.” (Read more here.)
20. Big Hero 6 (2014)
In a thrilling fusion of Disney’s heartwarming charm and Marvel’s action-packed prowess, the animated film Big Hero 6 stands out. While the Marvel elements often dominate, particularly with the intricate plot involving a villain who steals a teenage tech genius’ microbot technology, they sometimes overshadow the more poignant themes of grief and loss. Yet, the soft-spoken Baymax (Scott Adsit), with his pliable robot form, is undoubtedly the epitome of adorable robots.
In a lively mix of Disney’s emotional storytelling and Marvel’s high-energy action sequences, Big Hero 6 offers an interesting fusion. Though at times the Marvel components overpower the heartfelt exploration of grief and loss, the lovable Baymax (Scott Adsit) as a squishy robot steals the show. The villain’s plot to steal microbot technology is complex, but it often outshines the genuinely moving aspects of the movie.
Both versions aim to convey the same ideas while maintaining a natural and easy-to-read style.
19. X-Men: Days of Future Past (2014)
The film showcases an impressive blend of the old and new X-Men characters, with Hugh Jackman delivering another strong performance. Notable among the new additions is Blink, whose powers are creatively utilized. A standout scene involves Quicksilver (Evan Peters), who uses his super-speed to rescue Wolverine, Magneto, and Professor X during a gunfight at the Pentagon. However, the film faces criticism for its handling of continuity, as it seems to rewrite much of what was established in First Class. Key characters are revealed to have died off-screen, the school is depicted as already being defunct, and even Professor X’s paralysis appears to be temporarily healed.
In this version, I’ve aimed to maintain the original meaning while using more varied sentence structures and a conversational tone.
18. Thor: Ragnarok (2017)
17. Spider-Man: Far From Home (2019)
The second Spiderman movie starring Tom Holland as the fantastic web-slinger, titled “Far From Home,” isn’t too far behind its predecessor in terms of romance, action, humor, and emotion. Although no one explicitly says “with great power comes great responsibility,” the film effectively conveys this concept through Holland’s Peter Parker who grapples with his feelings for MJ (Zendaya, full of witty charm) while also addressing Nick Fury’s (Samuel L. Jackson, exasperated and humorous) instructions to thwart a group of destructive elemental beings.
16. Guardians of the Galaxy Vol. 3 (2023)
James Gunn skillfully concludes his “Guardians” trilogy with a movie that strikes the perfect balance for Marvel: Exciting action scenes, quirky sci-fi visuals, and deeply emotional characters we grow deeply attached to. (By the finale of “Vol. 3”, Rocket Raccoon transforms from a secondary Marvel character to one of the most compelling and tragic heroes.) After a series of average films, Gunn effortlessly makes it seem simple. It’s unfortunate that he’s moving on to work with DC instead.
15. Blade (1998)
Way back when many in Hollywood were still unsure about Marvel’s storytelling potential, Wesley Snipes was already a firm believer. “Playing a comic-book character is the best of all worlds because anything goes,” Snipes said, channeling his character Blade during a humorous interview. “You develop a unique voice, appearance, sound, and movement style.” Snipes’ _Blade_ essentially set the stage for the Marvel Cinematic Universe, laying the groundwork for a connected universe of humans and monsters.
14. X2 (2003)
In simpler, more conversational terms:
The film “X2” might just be the most significant superhero movie of the century. The first “X-Men” and “Spider-Man” films showed that movies could capture the essence of comic books. However, “X2” took it a step further by not only matching but exceeding the magic found in comics, particularly in thrilling scenes like Nightcrawler’s White House attack. This scene not only depicted his signature teleportation accurately but made it look more stylish and dynamic than it ever could as a series of static images in a comic book. The dam explosion at the end of the movie can be seen as the start of the Hollywood Superhero Rush, with everything changing after “X2”.
13. Logan (2017)
For Jackman, the third attempt at a solo Wolverine film was successful with “Logan”. This movie brilliantly showcased the title character in all his grisly, sorrowful splendor. As it was the first R-rated film, it allowed for a more mature, intense storyline – fitting for the narrative of the hero’s last days. Additionally, by reducing the number of characters, it eliminated the overpopulation problem often seen in main X-Men movies. Notably, Patrick Stewart gave an outstanding performance as an aging Professor X who was losing his grip on reality and therefore his control of one of the most powerful weapons worldwide.
12. Spider-Man: Homecoming (2017)
Among the Marvel Cinematic Universe’s films that are sure to keep you hooked, “Homecoming” stands out with captivating characters, thrilling Spider-Man sequences, and an unexpected street vendor requesting a flip from Spider-Man, which he cheerfully performs. Aren’t you enthralled? (You can read more about it here.)
This paraphrase maintains the original’s tone while using simpler language to make it easier to understand and more engaging for a wider audience.
11. Blade II (2002)
In a masterful blend, Blade II skillfully combined Wesley Snipes’ agile portrayal of the stylish vampire hunter Blade with director Guillermo del Toro’s distinctive dark, grisly horror style. This fusion resulted in a more thrilling and terrifying sequel compared to the original film. Del Toro introduced a chilling new breed of super vampires, ominously created by a pandemic, who possess grotesque elongating jaws and feed on both humans and vampires. Only Blade, with his unyielding martial arts skills, stands a chance against these bloodthirsty creatures. (While it’s common knowledge that vampires have only four vulnerabilities: silver, garlic, sunlight, and high-kicks!)
10. Spider-Man (2002)
With several Spider-Man films emerging almost annually, it’s effortless to overlook just how extraordinary Sam Raimi’s initial Spider-Man movie was. Though the film might seem slightly outdated today, in 2002, it was truly ahead of its time. It nailed every aspect: The costume design, the action sequences, the visual effects, the poignant death of Uncle Ben, and the intricate portrayal of Peter Parker’s relationship with Norman and Harry Osborn. It reshaped mainstream perceptions of superhero films, paving the way for Hollywood to develop into the realm of interconnected film universes we know today. And remarkably, many subsequent superhero movies have mimicked its iconic closing shot, in which Spidey swings through New York City in a single, extended take.
9. Guardians of the Galaxy (2014)
Nearly halfway through the Marvel Cinematic Universe (MCU), the original “Guardians” movie marked a turning point for Marvel, proving their reputation was robust enough to entice viewers to unfamiliar properties. Before James Gunn, these Guardians were almost insignificant; he transformed them into an unexpected blockbuster hit. It’s indisputable – Rocket is the superior Guardian in every aspect. (Continue reading here.)
8. Captain America: The First Avenger (2011)
Though its plot could use some tightening (as an entire war is summarized in a montage), Chris Evans’ portrayal of Captain America stands out as one of the most successful character adaptations within the Marvel Cinematic Universe. This film breathes life into a hero who had long been criticized for being too bland or outdated, transforming him into a charismatic, complex individual embodying basic human values. If you’re in need of a boost, this is the Marvel movie to watch. (Read more here.)
In this paraphrase, I aimed to preserve the original meaning while using clear and natural language that flows well.
7. Avengers: Endgame (2019)
Among all superhero films, none surpassed the complexity of “Avengers: Endgame.” The movie needed to neatly tie up one of cinema’s most monumental cliffhangers, tidy away numerous unresolved plots from over 20 Marvel Cinematic Universe (MCU) movies, and function independently as an enjoyable film. Miraculously, they managed to achieve all these objectives. (Continue reading
6. Spider-Man: Across the Spider-Verse (2023)
As a movie enthusiast, diving into the cinematic universe of “Spider-Man” once again, I found myself immersed in the groundbreaking sequel, aptly titled “Across the Spider-Verse.” This exhilarating continuation introduces Miles Morales to an incredible ensemble, known as the “Spider Society,” including the formidable Spider-Man 2099. Their mission? To shield the multiverse from threatening “anomalies,” such as the enigmatic Spot, a villain with the power to open interdimensional portals at will.
While “Into the Spider-Verse” was visually stunning, “Across the Spider-Verse” surpasses its predecessor in terms of both style and ambition. For instance, Spider-Gwen’s dimension is breathtakingly depicted as a vibrant watercolor painting come to life, while Spider-Man India hails from the captivating “Mumbattan,” a swirling blend of yellows and greens that truly brings the city to life.
However, it’s important to note that “Across the Spider-Verse” is the first part of a two-part story, which at times leaves you yearning for the conclusion. Nonetheless, this ambitious sequel showcases a richly developed multiverse and an engaging cast of characters that I believe will leave audiences eager for more.
5. Black Panther (2018)
The fictional nation of Wakanda, as portrayed in “Black Panther”, seems even more striking now than it did in 2018 for various compelling reasons. Unfortunately, we will not get to see how Chadwick Boseman’s character King T’Challa would have evolved further in the series, nor what future challenges he might have faced against adversaries such as M’Baku (Winston Duke) and Erik “Killmonger” Stevens (Michael B. Jordan). Despite this, we are fortunate to have this captivating and action-packed movie to enjoy forever. [You can read more about it here.]
4. The Avengers (2012)
Despite the grandeur of “Infinity War” and “Endgame,” the original “Avengers” movie continues to seem like an extraordinary feat. Each character is exquisitely balanced, the dialogue is concise, and the climactic extended Battle of New York remains one of the most gratifying special effects sequences of the 21st century. (Read more here.)
3. Spider-Man 2 (2004)
As a seasoned movie critic, I must say that Sam Raimi truly outdid himself with Spider-Man 2. Unlike other films trying to juggle multiple storylines, this one takes its time to delve deep into the complex relationship between Peter Parker and the brilliant scientist, played masterfully by Alfred Molina. This character, driven by uncontrolled ambition and wielding menacing robotic arms, is a standout performance in the entire Spider-Man series.
Fast forward over 15 years, and the movie still holds up visually, with the train sequence standing tall as a Marvel triumph across all companies and franchises. The way the film relentlessly heaps hardship upon hardship onto poor Peter Parker’s shoulders creates a sense of tension that makes the ultimately joyful (though also tinged with bittersweetness) ending all the more rewarding.
2. Iron Man (2008)
Marvel Studios has yet to surpass its initial self-produced movie as its best work. Looking back, it’s clear that not being tied to a larger universe allowed for a stronger film. The scenes where Robert Downey Jr.’s character Tony Stark tests his armor and subsequently takes flight for the first time, miraculously encapsulate the excitement of uncovering superpowers more effectively than any other entry on this list. (Additional insights can be found here.)
1. Spider-Man: Into the Spider-Verse (2018)
Into the Spider-Verse” stands out as the finest Spider-Man movie, even among Marvel productions. It boasts an extensive ensemble of Spider-people, such as Miles Morales, Gwen Stacy, and a somewhat melancholic Peter B. Parker. The film also showcases a potent and undeniably explicit interpretation of Stan Lee and Steve Ditko’s moral philosophy, which emphasizes that anyone can be a hero. This message is beautifully brought to life through stunning animation, creating a vibrant tribute to their inspiring principles.
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2025-09-02 20:25